Blackie Burnham
blacksmithed and cowboyed at Ghost Ranch
back when the last century was new;
his wife took care of their adobe house,
the horses, the garden of frijoles and chilis,
raised the crippled daughter with the artist’s eye
who painted the bright flowers and cacti,
still visible above the house’s doors
and chiseled the outline of a horse
in bedrock beside the corral.
Eighty years later
Blackie, his wife and daughter are long gone.
I find myself fixing the roof of their homestead
as an ancient wind blows across the desert,
trying to take down this old house
while it rearranges the landscape,
slowly carves away the mesas,
fills the arroyos with sand.
I’m fixing this house because it’s part of a story,
and stories are all that remain of all of us
after we go the way of rotting vigas, crumbling adobe.
Interview
TSTmpj:
A wonderfully observed poem. Do you have a personal connection you
would like to talk about with the south west of the United States?
Larry
Schug: Burnham's old homestead is
located at Ghost Ranch, near Abiquiu, New Mexico. You may recognize the
name as a place where Georgia O'Keefe lived and painted. For the past 17
years I have been going to Ghost Ranch with a group of college students who do
community service during their spring break. Not all college students go
to Padre Island and get drunk; this group does wonderful work for Ghost Ranch (a
retreat/conference/educational center, a place that provides peace) and its
neighboring community. Its history includes dinosaurs, Native American
civilizations, a Spanish land grant, a dude ranch and now is a
retreat/conference/educational center, a place that provides peace). I
love the place for its high desert scenery, so different from that in
which I grew up and still live in Minnesota and its unique culture, a blend of
native, Hispanic and Anglo cultures. It has been a very inspiring place
for my poetry over the years.
*
TSTmpj:
I'm even reminded of Shelley's "Ozymandias". Is
"Time", its passing, a recurring theme in your work?
Larry
Schug: I try to subscribe to the idea
that "the present" is the only time I truly exist in. That
said, I think time is really a river, a flowing entity where the past, present
and future all touch each other. Is there really an upstream and a
downstream in a river? Only from one vantage point. Living in such
a clock oriented, linear time oriented culture, I don't think we've quite
grasped the reality we exist in. To answer your question, time is
important in my writing, but with more of a zen outlook.
*
TSTmpj:
And echoes of Browning's character portraits. Let me cease talking
about my favourites; what are some of yours?
Larry
Schug: Among my favorite poets are the
late, Lucille Clifton, who I met a number of times and consider a friend.
Her poems about Crazy Horse, a famous Sioux Chief, are some I greatly
admire. I also like Jimmy Santiago Baca, a New Mexico poet, the late Bill
Holm (from my home state), Barton Sutter, a former teacher of mine and poet
extraordinaire, Gary Snyder--where do I stop, there are so many! I do
think I've been influenced by the Romantics from early in my college days.
Bio Note
Larry Schug lives near a tamarack bog in central Minnesota.
Tamaracks are the only conifers that lose their needles in winter.
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