How
can I stop
This
carousel
Of
luck,
Mostly
bad?
Flesh
wrinkles
Grows
limp
With
age.
Yet
the body-soul
Attempts
to soar
At
the sight,
Smell,
Nearness
Of
female flesh
Singing
For
touch.
Interview
TSTmpj:
I especially like the ending of this poem. How did you arrive at it
(says I, wincing knowingly at my choice of words)?
Joseph
Lisowski: What I hoped to accomplish
with the ending was to kinda replicate the feeling of a sudden stop when riding
the carousel, a kind of lunging forward with sexual overtones. Regardless
of your age, an attractive woman can draw your body toward her through her
animal magnetism.
*
TSTmpj:
The "body-soul", both as an image and a concept. Why
"body-soul" and not "soul-body"? Can you share a few
thoughts on what the "body-soul" means for you?
Joseph
Lisowski: This pull comes from the body first, which, in turn, may drag
the "soul" with it; hence, "body-soul," rather than
"soul-body."
*
TSTmpj:
Finally, Joseph, the life of a Professor of English must surely be an
eventful one. Is there an experience, an anecdote or two you wish to
share?
Joseph
Lisowski: Many years ago, I taught freshman writing at an urban campus,
and at the end of the term, one of my students came to my office with a few of
his essays that I had graded. He nudged these wrinkled papers toward
me and said, "hey, man, what's all dem 'FROGS' doing on my
papers?" I looked closely at the essays, then at him, noting his
heavy lidded eyes and the smell of marijuana coming off his clothes.
"What I wrote there," I said in response, "was 'frag,' which
stands for sentence fragment; your essays are filled with sentence
fragments." He stared at the papers for quite a while before finally
saying, "still look like 'FROGS!' to me." Well, I thought, at
least they weren't toads.
Bio Note
Joseph
Lisowski's most recent poetry chapbook is STASHU KAPINSKI LOOKS FOR LOVE
published by erbacce-press (Liverpool, UK).
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