I
don't tell you how I feel anymore
You used to listen, nod, care...
Now it feels like you're storing the information
Biding your time
Waiting
Waiting
Waiting to use it
When my body aches like my heart
When the only constant I can sense is tiredness
When the voices in my head scream the loudest
That's when it comes...
"All you ever do is think of yourself...
All you ever do is complain.
You're not the only one tired.
Everyone gets depressed.
Why can't you see it?
Why must you be so selfish?
Why can't you think of me for once?"
All I do is think of you
Think of the hell that being with me must be
Think you need sunshine and not constant rain
Think how you should be free from my sadness
I don't tell you how I feel anymore...
You used to listen, nod, care...
Now it feels like you're storing the information
Biding your time
Waiting
Waiting
Waiting to use it
When my body aches like my heart
When the only constant I can sense is tiredness
When the voices in my head scream the loudest
That's when it comes...
"All you ever do is think of yourself...
All you ever do is complain.
You're not the only one tired.
Everyone gets depressed.
Why can't you see it?
Why must you be so selfish?
Why can't you think of me for once?"
All I do is think of you
Think of the hell that being with me must be
Think you need sunshine and not constant rain
Think how you should be free from my sadness
I don't tell you how I feel anymore...
Interview
TSTmpj:
Of course, while not saying that the "I" in the poem is you in
real life, this is a poem that reads as in the Confessional tradition.
Have you read Sylvia Plath? How does it feel for you to open these
sorts of imaginings of yours to the world in this way, through publication?
Cate
Billing: I haven't read any Plath beyond
quotes. I've read about her battle with depression and can resonate with
that. At the moment I am reading Janet Frame The Goose Bath Poems. She discusses her sense of being
disenfranchised in many of her pieces. "The voices in my head"
is an attempt to describe how alienated I feel when the Black Dog Howls.
*
TSTmpj:
The heavy notes of the repetitions are very effective. In our
darker moments we often feel we are repeatedly banging our heads against walls,
and that is the sense I have here. What is the way out of such situations
in real life, for you?
Cate
Billing: When life gets too much I spend
time writing the thoughts out.
I experimented with repetition in
"Voice" for the first time. I wrote it to be read aloud.
The repetition and the pauses, along with the use of emotive language, allowed
me to work through some things I was going through at the time. It works
well as a performance piece but doesn't seem to lose anything in the "flat
form".
*
TSTmpj:
Relationships are complex, always. What do you feel the next poem
you write may be about, and what tone might it possibly strike?
Cate
Billing: I don't know what my
next piece will be. It depends where the muse takes me.
Bio Note
Cate
Billing has been writing since she could form letters. She’s currently a
stay at home parent indulging her writing passion.
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